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In episode 123: ‘Is James Bond In Crisis?’: Peter Kay is well into the final stretch of his tour but this week he made headlines for having audience members removed for heckling. Are there rules around heckling? Has it gotten worse in recent years? Where did the word come from?
James Bond appears to have gone AWOL from our screens.
With over four years passing since Craig’s finale in No Time To Die, why can’t 007’s producers and their new owners (Amazon) come together and make a new film?
The most beautiful, hilarious and luxurious show is back on TV. The White Lotus returns. Richard and Marina take us inside the show, the secrets to it success and why brands are seemingly draw to it.
Recommendations:
Richard – Boyzone – No Matter What (Sky Documentaries)
Download ‘Is James Bond In Crisis?’ as MP3
Inside This Episode
Peter Kay and Hecklers
- Peter Kay ejected hecklers from his Manchester AO Arena show for repeatedly shouting “garlic bread” and disrupting the performance, leading to widespread media coverage and debate about audience behaviour
- The discussion explores how modern audience behaviour has been shaped by social media, with new generations experiencing comedy first through TikTok and Instagram clips rather than traditional venues
- The podcast examines how different comedians handle hecklers, from crowd work techniques to managing disruption in large venues
- There’s analysis of how substance use, particularly cocaine, has changed heckler behaviour: “With cocaine, they don’t understand what’s happening. They don’t understand that they’re the butt of the joke”
James Bond Franchise Crisis
- The longest gap between Bond films approaches, with no new actor, director or script announced since Daniel Craig’s departure
- Amazon’s acquisition of MGM has created tension with EON Productions, particularly around referring to Bond as “content” and proposals for spin-off shows
- Barbara Broccoli and Michael G. Wilson maintain strict control over the franchise, resisting pressure for expanded universe content
- The discussion explores how their protective stewardship maintains the mystique and value of the brand while potentially limiting its commercial exploitation
White Lotus Season 3
- The new season moves to Thailand, following successful seasons in Hawaii and Sicily that dramatically increased tourism to their filming locations
- Creator Mike White’s unique position as a solo writer in American television is examined, with his experience on reality shows like Survivor informing his understanding of human behaviour in artificial environments
- The show has become a cultural phenomenon despite relatively modest viewing figures, with 4 million viewers for the Season 2 finale
- The series has created an unexpected partnership with Four Seasons hotels, who have embraced the satire and seen massive increases in bookings despite the show’s critical portrayal of luxury tourism
Media Mentions
Television Shows:
Movies:
Reality TV:
Who’s Who:
Hot Takes:
- “Skyfall is like an absolute masterpiece. It’s so, so good. But ‘I’m more of a Quantum of Solace man’. No one has ever said that.”
- “The finale of [The White Lotus] season two, HBO said got 4,000,000 viewers, which is, like, less than what an episode the weekday episode of The Chase would consolidate to. I would say that’s half a Call the Midwife”
- “I’m gonna controversially say I didn’t absolutely love the first series [of The White Lotus] because you could tell it was shot during lockdown”
- “There’s an alternative universe in which every three years there’s a Bond movie, but in between there is a spin-off series… It would be absolutely nonstop… There’d be a Q spin-off… “
Notable Numbers:
- 425% – Year-over-year increase in website visitors for the Maui Four Seasons after The White Lotus
- 4 million – Viewers for The White Lotus Season 2 finale
- £150 – Amount collected to pay off a heckler at David O’Doherty’s show
- 20,000 – Capacity of venue for Peter Kay’s show
- 6 years – Longest gap between James Bond films (License to Kill to GoldenEye)
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